![]() “I thought of how we move in patterns of waves, swinging like pendulums,” he elaborates. SEE ALSO: Kurt Hentschlager’s Neo-Natural Contemplation When he visited the master craftsmen and watchmakers of Audemars Piguet, Jan began to view watches as philosophical objects instead of utilitarian objects. The epiphany happened when Lars arrived at the beautiful Valley de Joux in Le Brassus, the birthplace and headquarters of Audemars Piguet. It highlights the motion of the sun through shadows and semi-transparent screens and materials.” “The piece is a building scale pavilion which is itself a kinetic installation. ![]() “The work focuses on the idea of shuttling between a sense of crisis, contemplation and meditation, in order to find stillness,” he explains. The piece, titled Slow-Moving Luminaries, will continue exploring Jan’s deep convictions about nature and climate change in an immersive public installation, against the scintillating backdrop of Miami Beach. Contemporary architecture juxtaposes against natural materials in startling conversation. A sprawling labyrinth of mostly plants will make up a two-tiered structure where guests can move around, considering the artist’s take on complexity and precision. Chosen to create the third Audemars Piguet Art Commission, the artist will be showcasing his large-scale project in Art Basel Miami Beach this December. It would make sense that Jan carries his love for nature throughout his life, and more so in his work. ![]() “Those experiences shaped my eye as I carried my camera with me all the time.” “From that moment, I got more into spending time in mountains, deserts, lakes and rivers,” the Los Angeles-based artist tells Prestige. No picture could possibly recreate the majesty of Yosemite National Park, and it was during Lars Jan’s family vacation to the iconic mountains when he fell in love with the great outdoors. ![]()
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